Thursday, March 19, 2015

Trustworthiness: Self-assessment of an Institutional Repository against ISO 16363-2012

Trustworthiness: Self-assessment of an Institutional Repository against ISO 16363-2012. Bernadette Houghton. D-Lib Magazine. March/April 2015.
Digital preservation is a relatively young field, but progress has been made for developing tools and standards to better support preservation efforts. There is increased interest in standards for the audit and certification of digital repositories because researchers want to know they can trust digital repositories. Digital preservation is a long-term issue. The Trustworthy Repositories Audit and Certification (TRAC) checklist has been widely used as the basis of the activities. It later became ISO 16363 (based on the OAIS model) which contains 105 criteria in 3 areas:
  1. Organizational infrastructure (governance, structure and viability, staffing, accountability, policies, financial sustainability and legal issues)
  2. Digital object management (acquisition and ingest of content, preservation planning and procedures, information management and access)
  3. Infrastructure and security risk management (technical infrastructure and security issues)
 "Undertaking a self-assessment against ISO 16363 is not a trivial task, and is likely to be beyond the ability of smaller repositories to manage." An audit is an arms-length review of the repository, requiring evidence of compliance and testing to see that the repository is functioning as a Trusted Digital Repository.  Most repositories at this time are in an ad hoc, still-evolving situation. That is appropriate at this time, but a more mature approach should be taken in the future. The assessment process would rate features for: Full Compliance, Part Compliance, Not Compliant. The conclusions in the article include:
  • Self-assessment is time-consuming and resource-heavy, but a beneficial exercise
  • Self-assessment is needed before considering external certification. 
  • Certification is expensive.
  • Get senior management on board. Their support is essential.
  • Consider doing an assessment first against NDSA Levels of Digital Preservation  
  • Repository software may be OAIS-compliant, but it doesn't mean your repository is also
  • Not all ISO 16363 criteria have the same importance. Assess each criteria accordingly
  • ISO 16363 is based on a conceptual model and may not fit your exact situation
  • Determine in advance how deep the assessment will go.
  • Document the self-assessment from the start on a wiki and record your findings  

Wednesday, March 18, 2015

Storage is a Strategic Issue: Digital Preservation in the Cloud

Storage is a Strategic Issue: Digital Preservation in the Cloud. Gillian Oliver, Steve Knight. D-Lib Magazine. March/April 2015.
Many areas are mandating a 'cloud first' policy for information technology infrastructures. The article is a case study of the decision to outsource and its consequences. Some highlights:
  1. data held in archives must be expected to be both preserved and accessible beyond the commercial lifespan of any current technology or service provider.
  2. an approach to addressing serious risks (such as loss, destruction or corruption of data) that is based purely on financial reasons is not acceptable; it does not take into account the  preservation and custodial role of archives;
  3. there must be an explicit provision made for pre-defined exit strategies as well as effective monitoring and audit procedures
Two main challenges
  1. tensions between the information management and information technology perspectives. From the IT perspective the information managers were perceived as crossing boundaries into areas which were not of their concern.
  2. funding model. This change was a consequence of moving from the purchase of equipment for storage for use in house, to the provision of storage as a service.
"If most organisations lose a document, so long as they get the document back they're pretty happy. But because of digital preservation being what it is, you don't want to lose or corrupt any of the bits, they have to be exactly the way they were before." 
Cultural heritage institutions should investigate using storage as a service offerings, and also look ahead to utilizing other cloud based services. When making such decisions, you must be aware of the short term consequences of cost saving (i.e. increased burden on operating budgets) as set against potential long term benefits.

Tuesday, March 17, 2015

The news where you are: digital preservation and the digital dark ages

The news where you are: digital preservation and the digital dark ages. William Killbride. The informed. 25 February 2015.
Excellent post about the state of digital preservation and the existing concerns. "It’s undoubtedly true that preserving digital content through technological change is a real and sometimes daunting challenge.  Our generation has invested as never before in digital content and it is frankly horrifying when you consider what rapid changes in technology could do to that investment." We desperately need to raise awareness about the challenge of digital preservation so that solutions can be found and implemented.  Digital preservation is a concern for everyone. Many organizations depend on data but few have a mission to preserve that data. These are social and cultural challenges as well as technical challenges. We need better tools and processes. But the lack of skills is a bigger challenge than obsolescence.  The loss of data can cause major problems for countries, organizations and people.

The truth about contracts

The truth about contracts. Kevin Smith. Scholarly Communications at Duke. February 13, 2015.
This post looks at how to license student work for deposit in an institutional repository and also some basic truths about contracts and licenses.  It is a good statement of what contracts and licenses are. Contracts are business documents, intended to accomplish specific goals shared by the parties; they should clearly express the intentions of the parties involved.

Contracts can supersede copyright law "not because they are so 'big' but because they are small."   A contract is a “private law” arrangement by which two or more parties rearrange their relationship.  It need not be formal; it is simply the mechanism we use to arrange our relationships in a great many situations, including teaching situations that implicate the copyrights held by students.

A license is “a revocable permission to commit some act that would otherwise be unlawful". Not all licenses are contracts, but most are.

Main features of CERIF


Main features of CERIF. Website. March. 2015.
Common European Research Information Format (CERIF) is a concept about research entities and their relationships. The data-centric data model allows for a metadata representation of research entities, their activities, interconnections, such as research, and the results. It includes semantic relationships which enable quality maintenance, archiving, access and interchange of research information. It is very flexible and can be implemented in different ways. Today CERIF is used as
  • a model for implementation of a standalone Current Research Information System (CRIS)
  • as a model to define the wrapper around a legacy non-CERIF CRIS, and
  • as a definition of a data exchange format to create a common data warehouse from several systems
"Metadata is ... normally understood to mean structured data about resources that can be used to help support a wide range of operations. These might include, for example, resource description and discovery, the management of information resources and their long-term preservation.” 
Presentation for more information.


Saturday, March 14, 2015

Rosetta Metadata-extractor tool

Rosetta Metadata-extractor tool. Chris Erickson. March 10, 2015.
We have been looking at creating a Rosetta plugin to extract metadata from other types of image files, particularly Canon raw images. A tool on Github looked like it was a great starting place; it was created by Drew Noakes. This tool extracts many types metadata from many types of image files, including the Canon and Nikon raw images. This extractor tool metadata-extractor, is a Java library and works with Exif, IPTC, XMP, ICC and other metadata which may be present in a single image:

Metadata formats include:
  • Exif
  • IPTC
  • XMP
  • JFIF / JFXX
  • ICC Profiles
  • Photoshop fields
  • PNG properties
  • BMP properties
  • GIF properties
  • PCX properties
Types of files it will process:
  • JPEG
  • TIFF
  • WebP
  • PSD
  • PNG
  • BMP
  • GIF
  • ICO
  • PCX
  • Camera Raw
    Camera-specific "makernote" data is decoded for many types of digital cameras.
    Our plugin can extract the relevant metadata; we are working now to integrate that with Rosetta to process our SIP files.


    Friday, March 13, 2015

    Networked Information's Risky Future: The Promises and Challenges of Digital Preservation

    Networked Information's Risky Future: The Promises and Challenges of Digital Preservation. Amy Kirchhoff, Sheila Morrissey, and Kate Wittenberg. Educause Review. March 2, 2015.
    There has been tremendous growth in the amount of digital content, which has great benefits. But digital objects may be extremely short-lived without proper attention to preservation. "What are the odds that twenty years from now you will be able to find it and read it with whatever device and software you will be using then? What will be the cost to locate and reproduce the original files in a format that is usable in twenty years?" How do we ensure that our content is truly safe? There are a lot of questions to be answered. A few points:
    1. Near-Term Protection: Backup. Imperative for continuity of operations. Multiple copies in multiple locations will provide for near-term access. 
    2. Mid-Term Protection: Byte Replication. Create multiple identical copies of files and preferably store in other locations. Don't rely on special software for access. These byte replicas will provide content that is authentic and accessible for as long as the file formats remain usable.
    3. Long-Term Protection: Managed Digital Preservation. Establish policies and activities, including those above, to manage content over the very long term. 
    Four goals are key to successful managed digital preservation:
    • Usability: The objects must remain usable with current technology.
    • Discoverability: The objects must have metadata so they can be found by users over time.
    • Authenticity: The provenance of the content must be proven.
    • Accessibility: The content must be available for use by the appropriate community.
    An organization that wants to successfully preserve digital content needs to have, among other things:
    • A preservation mission
    • An infrastructure to support digital preservation
    • An economic model that can support preservation activities over time
    • Clear legal rights to preserve the content
    • Understand needs of stakeholders and users
    • A preservation strategy and policies consistent with best practices
    • A technological infrastructure that supports the selected preservation strategy
    • Transparency of preservation services, strategies, customers, and content
    The three items are required elements of long-term preservation and are appropriate steps in protecting content through preservation. There are best practices available. Institutions starting out should inventory their content, have good backups, and create a long term plan. There us still much to learn. "Ultimately, it is the responsibility of those who produce and care for valuable content to understand preservation options and take action to ensure that the scholarly record remains secure for future generations."


    Thursday, March 12, 2015

    MediaSCORE and MediaRIVERS preservation prioritization tool


    MediaSCORE and MediaRIVERS preservation prioritization tool.  Mike Casey, Patrick Feaster, Chris Lacinak. Indiana University, AVPreserve. March 12, 2015.
    Indiana University has announced the release of free, open source media preservation prioritization software created in collaboration with AVPreserve.
    1. MediaSCORE (Media Selection: Condition, Obsolescence, and Risk Evaluation). This tool enables a detailed analysis of degradation and obsolescence risk factors for most analog and physical digital audio and video formats.
    2. MediaRIVERS (Media Research and Instructional Value Evaluation and Ranking System). This tool guides a structured assessment of research and instructional value for media holdings. 
    Some additional key features of the software include:
    • Browser-based web-application for all Windows and Mac operating systems 
    • Permissions based access and views across MediaSCORE and MediaRIVERS.
    • Controlled vocabularies and field validation to help ensure consistent data entry.
    • Provides auditing path to help with quality assurance and transparency.
    The two applications are bundled together but may be used separately. They can be found along with a detailed user guide on GitHub at https://github.com/IUMDPI/MediaSCORE. Also available is a conceptual document that explores assessment of research and instructional value. The software requires installation and configuration on a server, requiring the appropriate expertise. AVPreserve is also offering MediaSCORE/RIVERS as a hosted application on a monthly subscription basis.

    Wednesday, March 11, 2015

    Getting to the Bottom Line: 20 Cost Questions for Digital Preservation

    Getting to the Bottom Line: 20 Cost Questions for Digital Preservation. MetaArchive. March 11, 2015.
    The MetaArchive Cooperative has, for over a decade, worked to respond transparently to many of the questions they have about the cost of doing digital preservation. These 20 questions will help institutions compare digital preservation solutions. Features and functionality are important, and often easy to identify. But it is more difficult to identify and compare short- and long-term costs, including a variety of  sometimes hidden fees.

    The questions are directed at learning about fees, memberships, storage costs, content limits, cost of having the content geographically distributed, hardware and software costs, services and products that the fees pay for, billing plans, and costs for backing up, retrieving or deleting content.


    Tuesday, March 10, 2015

    Investing in Curation. A Shared Path to Sustainability. Final RoadMap.

    Investing in Curation. A Shared Path to Sustainability. Paul Stokes. The 4C project. March 9, 2015.
    Digital curation involves managing, preserving and adding value to digital assets over their entire life cycle. Actively managing digital assets maximizes their value and reduces the risk of obsolescence. The costs of curation is a concern to stakeholders. The final version of the road map is now available; it starts with a focus on the costs of digital curation, but the ultimate goal is to change the way that all organizations manage their digital assets.

    The vision: Cost modeling will be a part of the planning and management activities of all digital repositories.
    • Identify the value of digital assets and make choices
      • Value is an indirect economic determinant on the cost of curating an asset. The perception of value will affect the methods chosen and how much investment is required.
      • Content owners should have clear policies regarding the scope of their collections, the type of assets sought, the preferred file formats.
      • Establish value criteria for assets as a component of curation, understanding that certain types of assets can be re-generated or re-captured relatively easily, thereby avoiding curation costs
    • Demand and choose more efficient systems
      • Requirements for curation services should be specified according to accepted standards and best practices.
      • More knowledgeable customers demanding better specified and standard functionality means that products can mature more quickly.
    • Develop scalable services and infrastructure
      • Organizations should aim to work smarter and be able to demonstrate the impact of their investments.
    • Design digital curation as a sustainable service
      • Effective digital curation requires active management throughout the whole lifecycle of a digital object.
      • Curation should be undertaken with a stated purpose.
      • Making curation a service further embeds the activity into the organization's normal business function.
    • Make funding dependent on costing digital assets across the whole lifecycle
      • Digital curation activity requires a flow of sufficient resources for the activity to proceed.
      • Some digital assets may need to be preserved in perpetuity but others will have a much more predictable and shorter life-span.
      • All stakeholders involved at any point in the curation lifecycle will need to understand their fiscal responsibilities for managing and curating the asset until such time that the asset is transferred to another steward in the lifecycle chain.
    • Be collaborative and transparent to drive down costs
      • Each organization is looking to realize a return on their investment.
      • If those who provide digital curation services can be descriptive about their products and transparent about their pricing structures, this will enhance possible comparisons, drive competitiveness and lead the market to maturity.

    Ending the Invisible Library | Linked Data


    Ending the Invisible Library | Linked Data. Matt Enis. Library Journal. February 24, 2015.
    The World Wide Web began as a collection of web pages that were navigated with links. Now, and going forward, the web is increasingly about data and relationships among data objects. The use of MARC is "becoming an anachronism in an increasingly networked world". The site schema.org, is a collection of structured data ­schemas that help web designers specify entities and relationships among entities, but these tools were not designed with libraries in mind. MARC lacks the ability to encode this information or make it accessible on the web. Libraries need to start formatting their data so it can be accessed from internet search tools.

    The W3C Schema Bib Extend Community Group (librarians, vendors, and organizations) have been working to expand schema.org to better represent library bibliographic information for search engines. The Library of congress has been working with the BIBFRAME project; “a major focus of the project is to translate the MARC 21 format to a Linked Data model while retaining as much as possible the robust and beneficial aspects of the historical format.” This will structure library records so that search engines can “extract meaningful information" and make it available. Ultimately, LC plans for BIBFRAME to replace MARC; there is a tool to convert MARC records to BIBFRAME.

    The Libhub Initiative is a proof-of-concept project to build a network of libraries using BIBFRAME standards to link data between institutions and show how this can make library resources more visible on the internet.


    Friday, March 06, 2015

    Infokit: Digital file formats

    Infokit: Digital file formats. Matt Faber. JISC. March 6, 2015.
    JISC has released a new infokit resource on Digital file formats. The infokit presents an overview of the current state of digital file formats for still images, audio and moving images, and it is looking toward future formats, and shifts to new formats from previously popular formats.
    Choosing the right file format is important to successfully creating, digitizing, delivering, and preserving the digital media objects:
    • The format helps define the quality of a digital object. 
    • Using poorly supported formats that may restrict or block use will hinder file distribution
    • Selecting a proprietary format with a short shelf life, or a compressed format that irreversibly loses data will hamper digital preservation
    • Selecting the right format for a project should not be taken lightly

    Maintenance of digital media files is an ongoing process. This kit is to:
    • Provide a comprehensive understanding of what a file format is 
    • The considerations in choosing the correct format for your project
    • Provide quick and practical answers to ‘what file format should I use for…? 
    • Help identify uncommon digital file formats.
    • Provide in-depth technical information about the digital files and file format properties.


    Wednesday, March 04, 2015

    Building Productive and Collaborative Relationships at the Speed of Trust

    Building Productive and Collaborative Relationships at the Speed of Trust. Todd Kreuger. Educause Review. March 2, 2015.
    To make projects successful, it is important to create trust and collaboration among IT, staff, and campus groups. To create that trust, the staff must establish highly productive relationships with the school's departments, faculty, and students. Collaboration, design thinking, and innovation go hand-in-hand. Many projects fall short of customer needs, fail or achieve less than satisfactory results, including plenty of finger pointing and wasted time, money, and opportunity. Some of the lessons learned:
    • Get on the same page
    • Build and establish trust
    • Provide the tools and expectations for success
    • Focus on both strategic and operational needs
    • Clarify process ownership and the associated responsibilities
    • Recognize the desired performance and celebrate success
    It is critical to have an open dialogue with various customer groups and to attempt to exceed their expectations. Another challenge is to ensure that people recognize the past as the past and not as an indicator of future performance. The best way to begin a change in culture is to identify issues and challenges that you can immediately address. The reservoir of trust is built one action at a time and emptied in a hurry. To steadily build trust, you must say what you are going to do and do what you say. Communication is the heart and soul of trust. It is imperative that you ask appropriate questions and listen to gain understanding. Collaboration should not be a project in and of itself, but the way in which we work.

    Cycle of Productivity model. Processes and tasks must have a defined owner and be documented and published, and change must be managed to ensure that everyone is aware of the new expectations. The basic premise is that training, assessment of effectiveness, and feedback all must occur to ensure the process or task is completed as expected.

    The end result "is one in which a culture of collaboration, coupled with a relentless focus on challenging the status quo, results in our encouraging, pushing, and helping each other innovate, transform, and differentiate."  

    Tuesday, March 03, 2015

    Significance 2.0: a guide to assessing the significance of collection

    Significance 2.0: a guide to assessing the significance of collections. Roslyn Russell, Kylie Winkworth. Collections Council of Australia Ltd. 2009.
    This guide is for defining an adaptable method for determining significance across all collections in Australia. The intention is that it will improve collection decision-making in areas such as, preservation, access, and funding support. Regarding significance:
    • We cannot keep everything forever. It is vital we make the best use of our scarce resources for collecting, conserving, documenting and digitising our collection materials.
    • Significance is not an absolute state; it can change over time.  
    • Collection custodians have a responsibility to consult communities and respect other views in constructing societal memory and identity. 
    • It is vital to understand, respect and document the context of collection materials that shape collection materials.
    Significance’ refers to the values and meanings that items and collections have for people and communities. Significance helps unlock the potential of collections, creating opportunities for
    communities to understand, access and enjoy collections. Artistic, scientific and social or
    spiritual values are the criteria or key values that help to express how and why an item or collection is significant. Part of the criteria are: provenance, rarity or representativeness, condition or completeness, and interpretive capacity. Significance assessment involves five main steps:
    1. analysing an item or collection
    2. researching its history, provenance and context
    3. comparison with similar items
    4. understanding its values by reference to the criteria
    5. summarising its meanings and values in a statement of significance
     A statement of significance is a concise summary of the values, meaning and importance of an item
    or collection. It is an argument about how and why an item or collection is of value. This should be reviewed as circumstances change.  Significance assessment is
    • a process to help with good management of items and collections; 
    • it is a collaborative process and consultation is essential.
    • it will substantiate justify assessments objectively rather than subjectively
    The process is:
    1. Collate information about the history and development of the collection
    2. Research the history, scope and themes of the collection
    3. Consult knowledgeable people
    4. Explore the context of the collection
    5. Analyse and describe the condition of the collection
    6. Compare the collection with similar collections
    7. Identify related places and collections
    8. Assess significance against the criteria
    9. Write a statement of significance
    10. List recommendations and actions
    Significance assessment is only the first part of the significance process. Once an item or collection has been assessed as significant, there will be a range of actions to better manage the collections.
     

    Oops! Article preserved, references gone


    Oops! Article preserved, references gone. Digital Preservation Seeds. February16, 2015.
    A blog post concerning the article Scholarly Context Not Found: One in Five Articles Suffers from Reference Rot.  References in academic publications justify the argument. Missing references are a significant problem with the scholarly record because arguments and conclusions cannot be verified. In addition, missing or incomplete resources and information will devalue national and academic collections. The Significance method can be used to determine the value of collections. There is currently no robust solution, but a robustify script can direct broken links to Memento. The missing references problem emphasizes that without proper context, preserved information is incomplete.
     

    Saturday, February 28, 2015

    OxGarage Conversion

    OxGarage Conversion. Website. February 27, 2015.
    An interesting web tool from the University of Oxford for converting documents to different formats.  OxGarage is a web, and RESTful, service to transform documents between a variety of formats, which uses the Text Encoding Initiative format as a pivot format.The initial option is to select:
    • Documents
    • Presentations
    • Spreadsheets
    There are dozens of source and target formats listed, such as Word, WordPerfect, RSS, PDF, ppt, csv, xls, and so forth. There is an option when you upload an XML document with links to images on your computer to also add the images.  If you have a document with links to images on the internet, these will be downloaded and included with your document.
     

    Friday, February 27, 2015

    Data on the Web Best Practices

    Data on the Web Best Practices. W3C First Public Working Draft. 24 February 2015.
    This document provides best practices related to the publication and usage of data on the Web. Data should be discoverable and understandable by humans and machines and the efforts of the data publisher recognized.This will help the interaction between the publishers and users.

    Data on the Web allows for the existence of multiple ways to represent and to access data which is a challenge. Some of the other challenges include: metadata, formats, provenance, quality, access, versions, and preservation. The Best Practices proposed should help data publishers and data consumers overcome the different challenges faced during the data life cycle on the web. The draft proposes best practices for each one of the described challenges.

    Thursday, February 26, 2015

    Library of Congress Recommended Format Specifications. Comments Requested.

    Library of Congress Recommended Format Specifications.  Library of Congress website. February 26, 2015.
    Comments and feedback requested by March 31, 2015.
    Because of the dynamic, ever-changing nature and availability of formats, the Library plans to revisit the specifications annually. Reviewing the specifications annually will permit the Library to keep pace with developments in the creative world, so that changes to the Format Specifications, although made frequently, can be made in small increments. Input and feedback are greatly encouraged and welcomed.


    Cloud Storage and Digital Preservation: New guidance from the National Archives

    Cloud Storage and Digital Preservation: New guidance from the National Archives. Laura Molloy. Digital Curation Centre. 13 May, 2014.
    The use of cloud storage in digital preservation is a rapidly evolving field and this guidance explores how it is developing, emerging options and good practice, together with requirements and standards that archives should consider. Digital preservation is a significant issue for almost all public archives. There is an increasing demand for storage of both born-digital archives and digitised material, and an expectation that public access to this content will continue to expand. Five detailed case studies of UK archives that have implemented cloud storage solutions

    Digital preservation can be defined as: “the series of managed activities necessary to ensure continued access to digital materials for as long as necessary, beyond the limits of media failure or technological and organisational change”. The challenges are urgent but can be taken one step at a time; you can address current technology and needs while ensuring that the content can be passed on to the next generation. With cloud storage there are many positives and negatives that must be considered. The article reviews many of these. When establishing your needs: Identify what are the ‘must have’ needs and what are the ‘wants’. Define your requirements and decide on the required capabilities rather than a specific technology, implementation, or product.
    • We should be concerned about the security of data, wherever it is stored, but it would be unrealistic to suggest that most cloud services are inherently less secure than most local data centres.
    • Adoption of a digital preservation strategy utilising cloud computing inevitably brings with it a range of legal questions.
    • Cloud storage services can achieve significant economies of scale.
    • Cloud services are typically considered to be operational rather than capital expenditure


    Why Digital Storage Formats Are So Risky

    Why Digital Storage Formats Are So Risky.  Matthew Woollard.  Lifehacker. 25 February 2015.
    While it may seem that digital files last forever, the growing digital sphere faces enormous losses. Even Google has been unable to ensure access for its archive of digital content. Technical solutions already exist, but they’re not well known and relatively expensive.

    How much are we prepared to pay to ensure that digital content that exists today will be usable in the future? We need to think about the value of the content and decide if it is worth keeping. Determining the value can be difficult. However, "re-use is a significant benefit from preserving data and adds value." Besides economic value, there are also cultural and intellectual reasons for preserving data. An example of preservation of data from the middle ages can be seen with scribes that used wax tablets for temporary records, and parchment for permanent records.

    The chances of born-digital material being usable in 100 years will be considerably improved by actively taking steps now to ensure the preservation of the items. Effective digital preservation relies on the activities of the creator as well as the archivist. It is important to make decisions about providing context, the types of formats to use, how to organize the material, and resolving rights issues to avoid future problems. 

    Tuesday, February 24, 2015

    Why we should all think about data preservation

    Why we should all think about data preservation. Stephanie Taylor. School of Advanced Study. February 19, 2015.
    The SHARD project, which ended in 2012, identified  four basic principles of digital preservation for researchers:
    1. Start early: The sooner you start thinking about what to preserve, how to do it, and when, the greater the chance of avoiding problems. Early planning means involving everyone in a research project in the discussion to help identify additional issues.
    2. Explain it: Context provides meaning and is vital in digital preservation. There is little point in preserving material and data without context.
    3. Store it safely: Backups are not preservation. It needs multiple copies in different locations. Use open source file formats and be careful how you and others handle and access files. Select carefully the files to be preserved.
    4. Share it: Sharing your research material and data is beneficial.  In one way or another, the main reason to carry out preservation at all, on any level, is to be able to share your work with others, now and in the future.
    Many things are being lost or threatened because no one saw a good reason to preserve them until it was almost too late.  The Data Preservation Online Training resource guides students through the reasons to preserve and share data and challenges that they might face.


    Monday, February 23, 2015

    Threeding Uses Artec 3D Scanning Technology to Catalog 3D Models for Bulgaria’s National Museum of Military History

    Threeding Uses Artec 3D Scanning Technology to Catalog 3D Models for Bulgaria’s National Museum of Military History. Bridget Butler Millsaps. 3D Printer & 3D Printing News. February 20, 2015.
    The National Museum of Military History is collaborating on a 3D scanning technology to preserve physical pieces of history by creating 3D digital models. With the scans, the museum can create a virtual museum. It also plans to share the models online and allow the public to use 3D printing images to print replicas of the artifacts.


    Saturday, February 21, 2015

    OAI-PMH harvesting from SharePoint

    SharePoint 2010 to Primo.  Cillian Joy. Tech Blog. July 2014.
    They have a system to manage the submission, storage, approval, and discovery of taught thesis documents., which uses SharePoint 2010 as a the document repository and Exlibris Primo as the discovery tool. The solution uses PHP, XML, XSLT, CURL, and SharePoint REST API using oData.
    Uses standards ATOM and OAI-PMH.

    SharePoint 2013 .NET Server, CSOM, JSOM, and REST API index




    Friday, February 20, 2015

    Enjoy your digital films and videos while you can... before they disappear


    Enjoy your digital films and videos while you can... before they disappear. David Shapton. RedShark Publications. February 17, 2015.
    Article about fragility of digital objects. Examples how digital files can fail even when there are multiple copies. Drives can fail, systems can be obsolete. Some statements:
    • paid-for cloud storage and synchronisation company that seems to be doing OK today but which might not be here at some point in the future.
    • Absolutely the most important thing to remember here is that this can happen right under your nose without you realising it. It's like they way you forget things.
    • We can have backup strategies. But that's clearly not enough. There's no point at all in backing up all your files so that they're stored on accessible error-free media, only to find that you don't have any applications to play them.  
    • Cerf has said "that we have to not only preserve the files, but the means to decode them as well."
    • we also have to preserve a working copy of the operating system that can play back the media files, and because machines go out of date, we have to preserve a working copy of the machine.
    • You don't get a warning when something is about to become obsolete or unreadable. You just get an error message bringing you the bad news, or the device doesn't show up in your file system explorer. 
    • Data doesn't fade away gradually. It just becomes inaccessible. But when you step back and look at a mass of data from afar, the effect is that it gradually goes away.
    It may be possible to create a virtual machine with a portable language, which could help resurrect machine/software combinations. Making this work will be work and expensive. "It will have to happen because if it doesn't, our films, videos, music tracks, personal memories, and in fact the whole of our recent (and future) history, will simply disappear."

    Thursday, February 19, 2015

    From Theory to Action: Good Enough Digital Preservation for Under-Resourced Cultural Heritage Institutions

    From Theory to Action: Good Enough Digital Preservation for Under-Resourced Cultural Heritage Institutions. Jaime Schumacher, et al. Digital POWRR White Paper for the Institute of Museum and Library Services. 27 August 2014.
    The Digital POWRR team is comprised of archivists, curators, librarians, and a digital humanist, from small and mid-sized Illinois institutions who know that digital content is vulnerable, but are  lacking significant financial resources and have been unable to come up with programmatic and technical solutions to mitigate the risk. Each institution produced a case study and a gap analysis, with a plan to address the obstacles.  Some institutions have created and implemented digital preservation programs; however, medium-sized and smaller organizations with fewer resources like those of the POWRR institutions are in a vulnerable position.Some statements of interest:
    • "Common elements emerged from our gap analyses: a lack of available financial resources; limited or nonexistent dedicated staff time for digital preservation activities; and inadequate levels of appropriate technical expertise. Some of the case studies also mentioned a lack of institutional awareness of the fragility of digital content and a lack of cohesive policies and practices across departments as a contributing factor towards the absence of real progress." 
    • Digital preservation is best thought of as an incremental, ongoing, and ever-shifting set of actions, reactions, workflows, and policies.
    • the notion that it is necessary to research all available tools and services exhaustively before taking any basic steps to secure digital content is yet another misconception that often prevents any progress from occurring.
    • Fortunately, practitioners can get started with simple, freely available triage tools while researching which of the more robust solutions will best suit their needs.
    The group developed the POWRR tool for evaluating solutions and tools. The appendix also has recommendations for the Developer Community.

    ArchivesDirect hosted service

    ArchivesDirect website. February 18, 2015.
    ArchivesDirect is a web based hosted service of Archivematica offered by DuraSpace for creating OAIS-based digital preservation workflows with content packages that are archived with DuraCloud and Amazon Glacier. It includes open source preservation tools, and generates archival packets using microservices, PREMIS, and mets xml files. ArchivesDirect is intended for small to mid sized institutions. Duraspace is a partnership with DSpace, Fedora, and Vivo.

    Pricing and subscription plans include:
    ArchivesDirect Standard (System, training, 1 TB): $11,900
    ArchivesDirect Digital Preservation Assessment: $4,500
    Additional Storage in Amazon S3 and Glacier: $1,000/TB/year

    Wednesday, February 18, 2015

    Rosetta and Amazon Storage

    Rosetta and Amazon Storage. Chris Erickson. February 2015.
    In the search for more file storage, as well as more affordable file storage, we tried Amazon Simple Storage Service (Amazon S3). The plan was to connect the Rosetta Digital Preservation System to the Amazon cloud storage, and evaluate it as a possible storage solution. There is a free trial. The Free Tier includes 5GB storage, 20,000 Get Requests, and 2,000 Put Request.

    Setup:
    I tried various configurations, but decided on a single bucket for the files. I setup buckets for the IEs and metadata, but after trying it, decided to only keep the files on Amazon. That would keep the metadata local. I had tried nested folders, but couldn't figure out how to designate that in the storage rules and definition. So I create the folders by time period.

    In the Rosetta Admin interface I create a File storage group, using the S3 storage plugin, and then entered the Bucket name, Secret Access Key, Access Key ID, and left the Maximum waiting time at the default. For the test, I set up a retention code for Amazon, and the storage rule used that code to determine what went to the Amazon storage. In a real storage instance, it would be better to use something that would not change, like the producer, etc.

    It took a few tests to get everything in sync. The result was that Rosetta stored the content in Amazon just fine. I also tried adding content with a one day retention period, and the content was removed from Amazon after the day. A fixity check task was also able to work without a problem.

    This gives us another storage option, though we decided to not use it at present.

    Pricing at the time of this comparison, was:


    1 TB 50 TBs
    Digital Storage Costs Annual  Cost 20 Year Projected Yearly  Charge 10 Year Projected 20 Year Projected 50 Year Projected
    Cloud Storage
    Amazon S3 - Regular $360 $7,200 $17,706 $177,060 $354,120 $885,300
    Amazon S3 - Copy / Glacier $480 $9,600 $23,706 $237,060 $474,120 $1,185,300
    Amazon S3 - Reduced & Glacier $288 $5,760 $14,165 $141,648 $283,296 $708,240
    DuraSpace - Preservation $1,800 $36,000 $36,100 $361,000 $722,000 $1,805,000
    DuraSpace - Dark copy/Glacier $1,925 $38,500 $42,350 $423,500 $847,000 $2,117,500
    DuraSpace - Enterprise Plus $5,625 $112,500 $64,425 $644,250 $1,288,500 $3,221,250

    More storage options will be considered. 

    Save the Voices of Tolkien, Joyce And Tennyson

    Save the Voices of Tolkien, Joyce And Tennyson. Laura Clark. Smithsonian.
    The British Library issued a public call for help safeguarding the over 6.5 million recordings in their archives through digital preservation. It will take around £40 million to fully fund the effort, and time is running short. The British Library’s sound archives includes audio files from Tolkien, Joyce, Florence Nightingale, Tennyson, WWI soldiers, as well as many nature sounds, oral histories and theater performances.  Thousands of others are at risk and will disappear soon if no action is taken.

    Tuesday, February 17, 2015

    AHRQ Public Access to Federally Funded Research

    AHRQ Public Access to Federally Funded Research. Francis D. Chesley. Agency for Healthcare Research and Quality. February, 2015.
    The Agency for Healthcare Research and Quality's  has established a policy for public access to scientific publications and scientific data in digital format resulting from funding through the agency. Preservation is one of the Public Access Policy's primary objectives.

    The Public Access Policy includes the following objectives:
    • Ensure that the public can access the final published digital documents.
    • Facilitate easy public search, analysis of and access to these publications
    • Ensure the attributes to authors, journals, and original publishers are maintained.
    • Ensure that publications and metadata are in an archival solution.
    • Ensure that all researchers receiving grants develop data management plans, describing how they will provide for long-term preservation of and access to scientific data in digital format.
    Data management plans will include:
    • A plan for protecting confidentiality and personal privacy.
    • A description of how scientific data in digital format will be shared
    • It must include a plan for long-term preservation and access to the data
    The data management plans will be evaluated based on the values of long-term preservation, access, and the associated cost, and administrative burden. AHRQ will contract with a commercial repository to ensure long-term preservation and full access to the public.

    Digital scientific data is defined as "the digital recorded factual material commonly accepted in the scientific community as necessary to validate research findings including data sets used to support scholarly publications, but does not include laboratory notebooks, preliminary analyses, drafts of scientific papers, plans for future research, peer reviews, communications with colleagues, or physical objects, such as laboratory specimens."



    Monday, February 16, 2015

    Internet future blackout: No way to preserve our data

    Internet future blackout: No way to preserve our data. Lisa M. Krieger. San Jose Mercury News. February 12, 2015.

    Vint Cerf spoke about the "digital vellum" needed to maintain the data that comprise text, video, software games, scientific data and other digital objects, and how to preserve their meaning.
    Aiding preservation might involve "Information Centric Networking," which is based on two simple concepts -- addressing information by its name, rather than location, and adding computation and memory to the network. David Oran of Cisco Systems and Glenn Edens, research director of Palo Alto's Xerox Park, are working on that new technology.

    Google is not directly involved in the digital preservation effort "although we have worked really hard at preserving the digital information of the day. We aren't planning to become the archive of the future -- although I think it would be cool." Cerf envisions libraries and governments investing in the technology needed to carry today's information into the distant future.


    The "digital vellum" project led has been created at Carnegie Mellon University. This is how it would work: There's a digital snapshot of a document, which is then built into one giant file. Using preserved and transmitted instructions, a virtual computer pretends to be a 2015-era Mac or IBM computer, and can find the document. "If I can substantiate those bits (of a document) in another computer, years in future, then I will have created the same document -- I can reproduce what you were doing. It is a digital copy of the state of the computer you were using when you created new documents."

    Rather than the current paradigm -- names, addresses and routes -- it would start with an "object," with a name, as the thing to be stored and moved. "Our current system of 'domain names' is not a stable system. The current routing system could be replaced by the information-centric system, where we keep track of everything not by where it is hosted but the information itself, by name.
    Just as we need preservation of today's bits and software, our encryption systems will need to be preserved as well -- because once they're lost, so is the material that they're protecting. "We need an encryption system in which the keys never wear out and are never broken, that represents keying for hundreds of thousands of years."
     


    Saturday, February 14, 2015

    Google VP leads calls for web content preservation

    Google VP leads calls for web content preservation. Caroline Donnelly. IT Pro.  13 Feb, 2015.

    Vint Cerf says action is needed to preserve the content of the internet for future generations to enjoy. Historians in the future could may view the 21st century as an “information black hole” because the software and services used to access online content could become defunct over time. To protect against this, he wants to see efforts made to create a “digital vellum” that will preserve the hardware and software needed to access online content in the years to come. "If we want to preserve them, we need to make sure that the digital objects we create today can still be rendered far into the future.” All web users are at risk of throwing their data away into a “digital black hole” in the mistaken belief that uploading content to a site or service will preserve it. “We digitise things because we think we will preserve them, but what we don’t understand is that unless we take other steps, those digital versions may not be any better, and may even be worse than, than the artefacts that we digitised.”
     

    Friday, February 13, 2015

    Crystal clear digital preservation: a management issue

    Crystal clear digital preservation: a management issue.  Barbara Sierman. Digital Preservation Seeds.
    February 1, 2015.
    The book Digital Preservation for Libraries, Archives and Museums by Edward Corrado and Heather Lea Moulaison does a great job of explaining to people about digital preservation. "In crystal clear language, without beating about the bush and based on extensive up to date (until 2014) literature, digital preservation is explained and almost every aspect of it is touched upon. " It explains what digital preservation is not (backup, etc.) The point of the book is expressed by the statement:
    “ensuring ongoing access to digital content over time requires careful reflection and planning. In terms of technology, digital preservation is possible today. It might be difficult and require extensive, institution-wide planning, but digital preservation is an achievable goal given the proper resources. In short, digital preservation is in many ways primarily a management issue”.
    It uses the Digital Preservation Triad to symbolize the interrelated activities of
    • Management-related activities,
    • Technological activities and
    • Content-centred activities.
    The book, which is also available as an eBook, has a practical approach and emphasizes that “that digital preservation is important to the overall mission of the organization”, and not just an experimental project.




    Thursday, February 12, 2015

    Save our Sounds

    Save our Sounds. Luke McKernan. British Library.  12 January 2015.
    The nation’s sound collections are under threat, from physical degradation, and also as play back devices wear out and disappear. "Archival consensus internationally is that we have approximately 15 years in which to save our sound collections by digitising them before they become unreadable and are effectively lost." The British Library collection contains over 6.5 million recordings of speech, music, wildlife and the environment, from the 1880s to the present day. The Save our Sounds program has three major aims:
    1. Preserve as much as possible of the nation's rare and unique sound recordings from collections across the UK
    2. Establish a national radio archive to collect, protect and share with other partners
    3. Invest in new technology to enable us to receive music in digital formats, working with  industry partners, to ensure their long-term preservation
    The library is seeking to raise funds to help the preservation efforts, and to implement a national audit to map sound archives in the UK and to find those that are at risk.

    Wednesday, February 11, 2015

    New Expert Panel Report From Council of Canadian Academies Says Canada’s Memory Institutions “Falling Behind” in Preservation of Digital Materials

    New Expert Panel Report From Council of Canadian Academies Says Canada’s Memory Institutions “Falling Behind” in Preservation of Digital Materials. Gary Price. Library Journal. February 4, 2015.
    An expert panel report, Leading in the Digital World: Opportunities for Canada’s Memory Institutions, (208 pages; PDF) addresses the challenges and opportunities that exist for libraries, archives, museums, and galleries as they adapt to the digital age. Vast amounts of digital information are at risk of being lost because many traditional tools are no longer adequate in the digital age. Memory institutions face the difficult task of preserving digital files in formats that will remain accessible over the long term. Institutions to collaborate more strategically and develop interactive relationships with users. They must also be leaders within and among their respective organizations. Many of the challenges faced are rooted in technical issues associated with managing digital content, the sheer volume of digital information, and the struggle to remain relevant. Collaboration is essential for adaptation, which enables institutions to access the resources required to deliver the  services that users now expect.

    Tuesday, February 10, 2015

    Reference rot in web-based scholarly communication and link decoration as a path to mitigation

    Reference rot in web-based scholarly communication and link decoration as a path to mitigation.
    Martin Klein, Herbert Van de Sompel. LSE Impact of Social Sciences blog. February 6, 2015.
    The failure of a web address to link to the appropriate online source is a significant problem facing scholarly material. The ability to reference sources is a fundamental part of scholarship. "Increasingly, we see references to software, ontologies, project websites, presentations, blogs, videos, tweets, etc. Such resources are usually referenced by means of their HTTP URI as they exist on the web at large. These HTTP URIs allow for immediate access on the web, but also introduce one of the detrimental characteristics of the web to scholarly communication: reference rot." Reference rot is a combination of two problems common for URI references:
    • link rot: A URI ceases to exist; the page is not found
    • content drift: The resource identified by its URI changes over time and is not what was originally referenced
    Their study shows that articles published in 2012 suffer from link rot: 13% of arXiv, 22% of Elsevier, and 14% of PubMed Central. For articles published in 2005, the numbers are higher: corresponding numbers are 18%, 41%, and 36%.

    The typical strategy to address the problem is to link to a snapshot of the web page (instead of the original web page) created at the time and stored in a web archive, such as the Internet Archive, archive.today, and perma.cc.

     There are problems with the approach. The link copy may not remain in place either. The linking URI is lost, as is the any information about the page or changed page. Link decoration can be used, with the URI of the original, the snapshot, and datetime of linking. Memento can provide this information but there are discussions needed to decide how to best convey the information.




    Monday, February 09, 2015

    All in the (Apple ProRes 422 Video Codec) Family

    All in the (Apple ProRes 422 Video Codec) Family. The Signal.
    The Apple ProRes 422 family of video codecs to the Sustainability of Digital Formats website. These codecs are proprietary, lossy compressed, high quality intermediate codecs for digital video primarily supported by Final Cut Pro.

    The Apple ProRes 422 Codec Family comprises four subtypes:
    1. ProRes 422 HQ: the highest data-rate version of the ProRes 422 codecs, applying the least compression for the best quality but the largest files.
    2.  ProRes 422:  the second-highest data-rate of the group, often used for multistream, real-time editing and has a significant storage savings over uncompressed video 
    3. ProRes 422 LT:  the third-highest data-rate version, considered an editing codec with  smaller file sizes
    4. ProRes 422 Proxy: the lowest data-rate version often used in offline post-production work that requires low data rates but also a full screen picture.

    Saturday, February 07, 2015

    Digital Preservation Coalition publishes ‘OAIS Introductory Guide (2nd Edition)’ Technology Watch Report

    Digital Preservation Coalition publishes ‘OAIS Introductory Guide (2nd Edition)’ Technology Watch Report. Brian Lavoie.  Digital Preservation Coalition. Watch Report. October, 2014. [PDF]

    The report describes the OAIS, its core principles and functional elements, as well as the information model which support long-term preservation, access and understandability of data. The OAIS reference model was approved in 2002 and revised and updated in 2012. Perhaps “the most important achievement of the OAIS is that it has become almost universally accepted as the lingua franca of digital preservation”.

    The central concept in the reference model is that of an open archival information system. An OAIS-type archive must meet a set of six minimum responsibilities to do with the ingest, preservation, and dissemination of archived materials: Ingest, Archival Storage, Data Management, Preservation Planning, Access, and Administration. There are also Common Services, which consist of basic computing and networking resources.

    An OAIS-type archive references three types of entities: Management, Producer, and Consumer, which includes the Designated Community: consumers expected to independently understand the archived information in the form in which it is preserved and made available by the OAIS. This is a  framework to encourage dialogue and collaboration among participants in standards-building activities, as well as identifying areas most likely to benefit from standards development.

    An OAIS-type archive is expected to:
    • Negotiate for and accept appropriate information from information producers;
    • Obtain sufficient control of the information in order to meet long-term preservation objectives;
    • Determine the scope of the archive’s user community;
    • Ensure the preserved information is independently understandable to the user community
    • Follow documented policies and procedures to ensure the information is preserved against all reasonable contingencies
    • Make the preserved information available to the user community, and enable dissemination of authenticated
    An OAIS should be committed to making the contents of its archival store available to its intended user community, through access mechanisms and services which support users’ needs and requirements. Such requirements may include preferred medium, access channels, and any access restrictions should be clearly documented.

     The OAIS information model is built around the concept of an information package, which includes: the Submission Information Package, the Archival Information Package, and the Dissemination Information Package. Preservation requires metadata to support and document the OAIS’s preservation processes, called Preservation Description Information, which ‘is specifically focused on describing the past and present states of the Content Information, ensuring that it is uniquely identifiable, and ensuring it has not been unknowingly altered’. The information consists of:
    • Reference Information (identifiers)
    • Context Information (describes relationships among information and objects)
    • Provenance Information (history of the content over time)
    • Fixity Information (verifying authenticity)
    • Access Rights Information (conditions or restrictions)
    OAIS is a model and not an implementation. It does not address system architectures, storage or processing technologies, database design, computing platforms, or other technical details of setting up a functioning archival system. But it has been used as a foundation or starting point. Efforts, such as TRAC, have been made to put the attributes of a trusted digital archive into a ‘checklist’ that could be used to support a certification process. PREMIS is a preservation metadata initiative that has emerged as the de facto standard. METS, and XML based  document form, has become widely used for encoding OAIS archival information packages.

    The ‘OAIS reference model provides a solid theoretical basis for digital preservation efforts, though theory and practice can sometimes have an uneasy fit.’




    Digital Tools and Apps

    Digital Tools and Apps. Chris Erickson. Presentation for ULA. 2014. [PDF]
    This is a presentation I created for ULA to briefly outline a few tools that I find helpful. There are many useful tools, and more are being created all the time. Here are a few that I use.
    • Copy & Transfer Tools: WinSCP; Teracopy;
    • Rename Tools: Bulk Rename Utility
    • Integrity & Fixity Tools: MD5Summer; MD5sums 1.2; Quick Hash; Hash Tool
    • File Editing Tools: Babelpad; Notepad++; XML Notepad; 
      • ExifTool; BWF MetaEdit; BWAV Reader;
    • File Format Tools: DROID; 
    • File Conversion:  Calibre; Adobe Portfolio;
    • Others: A whole list of other tools that I use or suggest you look at.
      •  PDF/A tools
      • Email tools
     Please let me know what tools you find helpful.

    Friday, February 06, 2015

    Preserving progress for future generations

    Preserving progress for future generations. Rebecca Pool. Research Information. February/March 2015.
    Digital preservation remains one of the most critical challenges facing scholarly communities today. From e-journals and e-books to emails, blogs and more, electronic content is proliferating and organizations worldwide are trying to preserve information before the electronic information is lost. Some of the organizations include: Portico (which preserves content on behalf of participating publishers; the number of open access journals it includes is rising, ); CLOCKSS (still grappling with the cost models of providing preservation service).

    There is a rising demand for the preservation of dynamic content. No one is able to "capture dynamic content and [preserve] a day-to-day, or even, minute-to-minute feed of this content." There are only snapshots. CLOCKSS is developing the ‘how to’ process to preserve these ‘snapshots’ across multiple locations, validating each against the other, and is also exploring the best pricing structures to preserve such content.

    Other organizations include LOCKSS, The Digital Preservation Network, HathiTrust, Preservica, Archivematica, and Rosetta, whose recent clients are the State Library of New South Wales and the State Library of Queensland.

    The digital preservation development is clearly gaining momentum, growing in both size and complexity. "Clearly progress is being made and you can measure that by the maturity of solutions on offer." But for most organizations, the urgency of digital preservation has yet to hit home.

    "Trying to sell the idea of digital preservation on the basis of return on investment has been very hard. By its nature, it’s a long-term activity and you’re really hedging your bets against future risks. I think we are still in the very early days of genuinely understanding the value of digital assets... and transferring this understanding over to financial assets doesn’t yet work very well." The European consortium 4C (Collaboration to Clarify the Costs of Curation) has been investigating this problem. Their road map helps organisations appraise digital assets, adopt a strategy to grow preservation assets and develop costing processes. In addition they have developed a model for curation costs. The only way to understand the costs of preservation is though sharing, through openness and collaboration.


    Wednesday, February 04, 2015

    The Cobweb. Can the Internet be archived?

    The Cobweb. Can the Internet be archived? Jill Lepore. The New Yorker. January 26, 2015.

    The average life of a Web page is about a hundred days. The pages can disappear through “link rot,” or people may see an updated web page where most likely the original has been overwritten. Or the page may have been moved and something else is where it used to be. This is known as “content drift.” This is worse than an error message since it’s impossible to tell that what you’re seeing isn’t what you went to look for: the overwriting, erasure, or moving of the original is invisible.

    Link rot and content drift, collectively known as “reference rot,” have been disastrous for the law and courts. In providing evidence, legal scholars, lawyers, and judges often cite Web pages in their footnotes; they expect that evidence to remain where they found it as their proof. But a 2013 survey of law- and policy-related publications found that after six years, nearly fifty per cent of the URLs cited in those publications no longer worked. A Harvard Law School study in 2014  showed “more than 70% of the URLs within the Harvard Law Review and other journals, and 50% of the URLs within United States Supreme Court opinions, do not link to the originally cited information.”

    The overwriting, drifting, and rotting of the Web also affects engineers, scientists, and doctors. Recently, researchers at Los Alamos National Laboratory reported the results of a study of three and a half million scholarly articles published in science, technology, and medical journals between 1997 and 2012: one in five links provided in the notes suffers from reference rot.

    The problems with links disappearing has been known since the start of the internet. Tim Berners-Lee proposed the HTTP protocol to link web pages, and he had also considered a time axis for the protocol, but "preservation was not a priority.” Other internet pioneers are also concerned. Vint Cerf has talked about a need for a long-term storage “digital vellum”:  “I worry that the twenty-first century will become an informational black hole.” Brewster Kahle started the Internet Archive, which has archived more than four hundred and thirty billion Web pages.

    Herbert Van de Sompel has been working on Memento which allows a user to look at pages around the time it was written.
     



    Tuesday, February 03, 2015

    Open Preservation Foundation to provide sustainable home for JHOVE

    Open Preservation Foundation to provide sustainable home for JHOVE. Becky. Open Preservation Foundation Blog. 3 Feb 2015.
    The Open Preservation Foundation is taking stewardship of the JHOVE preservation tool and providing a sustainable home.  The tool will become part of the OPF software portfolio
    and follow their Software Maturity Model. Portico is contributing code improvements that they have made to the tool. Other tools in the portfolio include:
    • Jpylyzer: JP2 image validator and properties extractor
    • FIDO: command-line tool to identify the file formats of digital objects.
    • Matchbox: duplicate image detection tool
    • xcorrSound: four tools to improve Digital Audio Recordings

    Office Opens up with OOXML

    Office Opens up with OOXML. Carl Fleischhauer, Kate Murray. The Signal. February 3, 2015.
    Nine new format descriptions have been added to the Library’s Format Sustainability Web site. These closely related formats relate to the Office Open XML (OOXML) family, which are the formats of the Microsoft family of “Office” desktop applications, including Word, PowerPoint and Excel. Formerly, these applications produced files in proprietary, binary formats with the extensions doc, ppt, and xls. The current versions employ an XML structure for the data and an x has been added to the extensions: docx, pptx, and xlsx.

    "In addition to giving the formats an XML expression, Microsoft also decided to move the formats out of proprietary status and into a standardized form (now focus on the word Open in the name.) Three international organizations cooperated to standardize OOXML."

    The list of the nine:
    • OOXML_Family, OOXML Format Family, ISO/IEC 29500 and ECMA 376
    • OPC/OOXML_2012, Open Packaging Conventions (Office Open XML), ISO 29500-2:2008-2012
    • DOCX/OOXML_2012, DOCX Transitional (Office Open XML), ISO 29500:2008-2012; ECMA-376, Editions 1-4
    • DOCX/OOXML_Strict_2012, DOCX Strict (Office Open XML), ISO 29500:2008-2012; ECMA-376, Editions 2-4
    • PPTX/OOXML_2012, PPTX Transitional (Office Open XML), ISO 29500:2008-2012; ECMA-376, Editions 1-4
    • PPTX/OOXML_Strict_2012, PPTX Strict (Office Open XML), ISO 29500:2008-2012; ECMA-376, Editions 2-4
    • XLSX/OOXML_2012, XLSX Transitional (Office Open XML), ISO 29500:2008-2012; ECMA-376, Editions 1-4
    • XLSX/OOXML_Strict_2012, XLSX Strict (Office Open XML), ISO 29500:2008-2012; ECMA-376, Editions 2-4
    • MCE/OOXML_2012, Markup Compatibility and Extensibility (Office Open XML), ISO 29500-3:2008-2012, ECMA-376, Editions 1-4
     "Meanwhile, readers should remember that the Format Sustainability Web site is not limited to formats that we consider desirable. We list as many formats (and subformats) as we can, as objectively as we can, so that others can choose the ones they prefer for a particular body of content and for particular use cases."


    Monday, February 02, 2015

    Websites Change, Go Away and Get Taken Down

    Websites Change, Go Away and Get Taken Down.  Website. January 2015.

    Perma.cc is a beta service that allows users to create citation links that will never break.
    When a user creates a link, Perma.cc archives a copy of the referenced content, and generates a link to an unalterable hosted instance of the site. Regardless of what may happen to the original source, if the link is later published by a journal using the Perma.cc service, the archived version will always be available through the Perma.cc link.

    When readers click on a Perma.cc link they are directed to a page which points to either the original site (which may have changed since the link was created) or see the archived copy of the site in its original state.

    Perma.cc is an online preservation service developed by the Harvard Law School Library in conjunction with university law libraries across the country and other organizations in the “forever” business.