To Save and Project Fest: Long Live Cinema! J. Hoberman. The Village Voice. October 12, 2011.
Digital might be the future of the motion-picture medium, but for film preservation, it’s a mixed blessing. Archivists make it clear that digital technology is part of the solution—and part of the problem. Digital cinema is itself difficult to preserve, subtly distorts (by “improving”) the celluloid image, even as it often dictates (through commercial considerations) those movies deemed worthy of preservation. New York Times DVD critic Dave Kehr has pointed out that instead of increasing access, each new distribution platform (from 35mm to 16mm, VHS, DVD, Blu-ray, and online streaming) has narrowed the range of titles in active distribution and diminished the proportion of available films. Film restoration is also the restoration of cultural memory.
Digital might be the future of the motion-picture medium, but for film preservation, it’s a mixed blessing. Archivists make it clear that digital technology is part of the solution—and part of the problem. Digital cinema is itself difficult to preserve, subtly distorts (by “improving”) the celluloid image, even as it often dictates (through commercial considerations) those movies deemed worthy of preservation. New York Times DVD critic Dave Kehr has pointed out that instead of increasing access, each new distribution platform (from 35mm to 16mm, VHS, DVD, Blu-ray, and online streaming) has narrowed the range of titles in active distribution and diminished the proportion of available films. Film restoration is also the restoration of cultural memory.
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